It certainly looks like it has it all—and in this case, looks are not deceiving. With 24 Mackie Vita mic preamps, a 7-band graphic EQ, a suite of 16 natural-sounding effects, and an impressive array of inputs and outputs, this mixer has everything you need for professional-level recording. A mixer like this see full specs can be pretty intimidating to a first-timer. Once you do master it, though, the Mackie ProFX30v2 mixer is a one-device answer to all your recording woes.
With 30 fully-independent inputs, it can handle anything from a jazz trio to a full symphony with ease. Not all mixers are massive, expensive pieces of equipment. Some of them, like the Behringer Xenyx , are both very portable and very affordable. With only 5 inputs, though, the Xenyx is significantly smaller. The other advantage of a smaller mixer is that the interface is less intimidating. This is the perfect option for a band that wants to do their own pro-level recordings.
What it will give you is an affordable way to blend signals from multiple sources into one cohesive sonic package. The big difference between a mixer with preamps and an external preamp is how much on-board control of the sound you have. Both will equalize your signals and give you individual level control, but only a mixer will let you boost or cut specific frequencies. Coloration, color, and flavor all refer to the slight distortion imparted to your signal. It makes a very minimal difference, but some tend to focus on it.
While you can make most preamplifiers work on any instrument or microphone, your quality will change. Some Ideas for Where to Start Shopping Once you decide what you need, you need to know where to start.
Single Channel or Multiple Channel Preamps? Preamps can have more than just one channel. They come as: Single channel Dual channel A lot of channels A preamp with multiple channels can run more than one signal at once. Audio Interfaces Audio interfaces may contain preamps, but they are not preamps. What to Look for When Buying One There are certain things you should be on the lookout for when buying an interface. Audio Interface Computer Connectivity There are a few standard types of audio interface connectivity: Thunderbolt is mostly used with Macs and has a low latency yet high speed.
USBs are great for mobile work. This makes it more dependable when using multiple channels. A PC may require a FireWire card to be compatible, which is another expense. By installing your interface into your computer, you eliminate latency. Preamp or Not? What Else Is an Audio Interface? Other Preamp vs.
Audio Interface Questions There are a few other questions that roughly fit into this question, but get more specific. Latency is the lag between the actual sound and the playback in your headphones or speakers. This is similar to when the sound track to a television show or movie is off from the image reel, and you can hear everything a moment after it happens. Drivers are what allow the audio interface to communicate with the computer.
You can buy special interfaces designed to work with microphones that require phantom power. Sample rate varies depending on the interface. The higher the sample rate, the higher the frequency that can be processed.
A "mixer" takes multiple inputs and combines mixes them together for fewer outputs. There are some mixers that have outputs for each channel, but not all of them. A pre-amp boosts the incoming signal, as well as 'coloring' it as in a tube pre-amp'. It can also supply phantom power to a condensor mic, but most mixers or interfaces do that.
Don't worry about the internal soundcard when you buy a computer. Plan on getting an audio interface USB or Firewire with as many channels as you will want to record simultaneously. Last edited: Oct 9, The first thing you want to purchase is a better interface.
It basically replaces your internal sound card completely. There is really no need for an external mixer unless you plan on using a bunch of outboard expensive gear. Well, not necessarily. A preamp is a necessity for any mic, to bring it's output to line level. Your Mbox has two preamps. The main purpose of the interface is to convert your analog to digital.
Some desks may only have 1 channel for podcasts or announcements , and some desks may have a staggering 32 channels, some even 64 live stadium gigs and professional studio recording environments. Yes, a mixer mixing desk most certainly has a preamp built into it.
This will affect the quality of the signal. All mixing desk preamps work perfectly fine even at the entry-level. It is when you start to look at the high-end products you will find specifically designed and manufactured preamps in certain models. These will offer a little something different to your regular standardly built preamp.
As we said, you use a mixer for any live or recording purpose where you need to track and manage multiple audio signals that will be recorded or played back. How it works is that you plug your microphone or instrument into the inserts of the desk, and then you can manipulate the sound with a volume fader, EQs, effects, sends, phantom power for condenser microphones , and gain.
The built-in preamp will boost the microphone signal of all the channels, and then those channels will feed into the main out channel.
If the mixing desk has a power amplifier built into it, it will boost the line-level signals coming from those channels through the main outputs and then through to your loudspeakers or any device you have set up that is receiving the audio signal. You have many more functions and features available to you to either route or manipulate the signals that the desk is receiving, so it is up to you to decide what your needs are and research and find out what you need to get the sound you are looking for.
You would use a separate preamp for preference purposes. Preamps, as we said, are sometimes designed with different materials and components, and these will affect the quality and timbre tone of the audio signal. Some are inexpensive while some can range in the hundreds of dollars. At the end of the day, it is up to you to decide what type of sound you are looking for, whether for vocals or anything else. Tube preamps will give you a more warm, full, and smooth quality, while modern-day preamps will offer a brighter, almost tinny sound giving you a great high-end frequency lift.
This is an 8 channel preamp and interface. It is suitable for extending the input array of any studio, and it is great for live. You get a combination of jack and XLR input connections.
This will allow you to plug in instruments such as guitars, keyboards, and bass guitars. Some of the features include a compressor on each input, which you can adjust right on the front of the preamp. This is a single channel transformer-based microphone preamp. If you look at the design, it gets away with a vintage look and is pretty easy on the eyes.
In extension to switchable input impedance settings for the microphone preamp, the unit consists of a line input on XLR and TRS jack.
This preamp blurs the lines between value for money. It features ultra-low noise and ultra-low distortion and is made for true audiophiles.
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